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Some of these comments were found on public internet forums, and links to the original posts
are provided. We're presuming this is "fair use". However, if you are either the person who
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Thanks for getting the SuperFuzz out to me so fast. I was having some problems at
first, but it turned out to be a dying battery. I've been looking for a good Superfuzz
clone for a couple of years now. I'm a bass player and the closest thing I've had access
to has been the Guyatone "The Fuzz". It sounds pretty good (especially for it's $60 price
tag) but pushing a bass signal through it makes it sound a little thin. Thin doesn't
really work for my purposes. I'm running a five string bass through a 400 watt tube amp
which is setup to compress a little bit but not distort the signal like an SVT. With the
SuperFuzz set to "2" it just sounds massive. It stays girthy all the way to the bottom of
my low B string. I just engage the bright switch on my preamp to let through a bit more
highs than I would for my clean tone and it sounds perfect. It actually sounds better than
my favorite recorded Superfuzz bass tones (like on the old records by The Soft Machine and
some of the Beastie Boy songs from my youth). You may not know it but you guys have made
the ultimate bass fuzz, at least to some people's tastes. Probably not for everyone, but
for a high gain aggressive bass fuzz like I've been looking for you guys have hit the nail
on the head. I'll be curious to check out your take on the univibe.
It is astonishingly amazing! Finally I have my old sound back in my possession!!!
This is the Equal of my 1960's Crown, (Shin-ei) fuzz box in sound. It is superior to
it with the upgrades you two have made to it, ridding the noise created by the old boxes,
yet maintaining the exact sounds.
I don't remember you mentioning that the battery on/off switch is no longer part of
the Balance or Expander pot (which one, I forget!), but has been replaced with the
now standard guitar input jack. I cannot tell you how many dead batteries I found that
I had killed, simply by not turning the pot off on my old Crown. The LED, while is
totally unnecessary as one knows when this unit is on, coolly glows on top this black box.
Styling. The battery port is a great solution to removing the top from the bottom for
replacement. And yes, my Crown was built like a tank, but this SuperFuzz is built like a
tank for the 21st century. Also, it looks so much cooler than the modern pedals.
Hey, I am a month away of being a 60 year-old balding long-hair, 45 of which I have
played guitar, and I love this sound. I have never heard a usually sweet sounding 3
note Major 7 chord played on the high strings sound so desirably dissonant as the one
this box creates. The two note double stops are awesome and strong in harmony and, once
they become bent and released ever so slowly, they just yell out for mercy. There simply
is no other pedal that creates these sounds and yet remains completely playable and controllable.
This is one bad mofo fuzz! Tone position 2 is where it's at for me with it's huge
bloated mid-scooped tones. Tone 1 could be useful for cutting through a dense recording
or getting a nice ratty sounding "When Doves Cry" intro type tone. The Watson boys did a
great job. It's a solid build and the 12 page manual(!) is surprisingly well thought out
and written. There is a bit of octave-fuzz to the sound also, but that didn't really come
through as clearly in the vid. All in all, I'm stoked to add a SuperFuzz to my pedal stable.
Wow! The Wattson SuperFuzz is nasty with fuzz. It is a veritable beast that
can be trained but not tamed.
Since I had never owned a SF, I had to get a reference tone to compare it to, so
a little google helped me with that. As soon as I did that I realized I had heard
this fuzz for many years on my favorite old 60's and 70's tunes.
Reading the manual you will find there were three incarnations (bona-fide fuzz
freaks are already well familiar with this) and a bit different tone for each.
The original Shin-Ei and earlier Univox versions had their own unique sound, because
they had a two transistor circuit that adds an octave up to the fuzz ( I have really
become a big freak for this effect and the SF gets it in spades). However then a trimpot
was added sometime in the late 60's early 70's which allowed the octave circuit to
become intentionally unbalanced to get more variation. This also changed the tone
(because resistance from the trimmer changed the bias for the octave circuit), which
some fuzzheads didnt like so many old ones have the trimpot removed and jumper wires added.
Anyway, to remedy this and still have the capability of the unbalanced transistors AND
retain the tone, Wattson reduced the value of some of the other resistors in the circuit
in order to compensate for the trimmer, thus allowing you to choose between the Shin-Ei,
earlier AND later version of the SuperFuzz. So in this one pedal you can get all three
incarnations. Very ingenious.
When Jim dropped it off last nite, (Imagine the maker offering to bring the pedal to your house!)
I plugged it in to my little tweed Champ and was impressed with how it sounded right out of
the box. In fact, I enjoyed playing it so much at the factory setting I havent even gotten
around to the trim yet. But so far I am in love with this sound. Wattson enginnered the pedal
so that you can adjust the trimmer while the casing is off so you dont have to adjust it, put
it together, listen, take it apart, adjust, put it together, listen, etc.
Will add more when I have checked it our more thoroughly, but suffice to say it definitely does
whats supposed to do. Also I have found that getting that upper octave effect become the most
pronounced when you use the neck p'up ('Buckers are best), roll the tone knob back, and play
above the twelfth fret and let notes ring (no shredder riffs), also bending double stops are
very cool. SuperFuzz freaks will not be dissappointed.
MG
Jim "The Amp Surgeon"'s Comments: I was going to
a friend's gig in Novato, and was passing thround emjee's town, so I offered to drop the
pedal off on the way... just so everyone doesn't get the idea I'm going to personally deliver
your pedal, too!
Ok... finally took some time to play with my new toy!
This thing is KILLER!!!! Love this pedal. Sounds just like old Shin El super fuzzes
you've heard on so many 60's/70'd fuzz records! In fact it is so fun to play, I think
I'll give my beloved vintage Foxx some much need rest and put to this to work on my board.
Like I suspected, the octave is no where near as pronounced as on the Foxx, but it has a
very cool sitar-esque quality which is really cool and quirky.
These guys did there homework. Stock the internal trimmer comes set to the Shin-ei,
and if you want to dial down the octave just turn the trimmer down a bit.
But I'm keeping mine just the way it is. Love the octave and I'm having a blast nailing
so many superfuzz tone melodies I've heard over the years.
If you don't have a Superfuzz... this is the one to get!
"This fuzz rules. Turned it on, instant rip-roaring tone. Pure mojo!"
Madison Parker
Subject: WOW
I just had the chance to play the pedal when I was home for about 5 min. I plugged in my
big muff as well to compare the 2 and man,....your pedal blew my mind!
After I turned the volume level up I could not believe it... I was using tone 2,
and man was it the thickest fuzz I have ever heard... It made the big muff sound
like a little tiny muff! haha..
I play stoner rock / fuzz doom and this is my new pedal for sure..
I seriously was shaking my head all the way down the street b/c I was so
impressed!..man..
peace!!!!
"Great fuzz! One of my all time favorites, and I've owned basically every old school
fuzz out there!"
S. Rosenberg
My Wattson SuperFuzz arrived today. This is the one. The years of searching are over.
I haven't owned a Univox SuperFuzz in a long time and have been buying every pedal I can
find that claims to sound like the original. This is the first one that actually does.
It looks almost exactly like the original, but is built a lot better. The sound is smooth
like butter and at $150 USD, it's a better choice than some beat up $400 eBay job.
Finally, there is a viable alternative to the coveted (and extremely expensive)
Univox/Shin-Ei Super Fuzz! Everything is here, from your standard "howling" Hendrix
fuzz, to low-tuned, almost ring mod-like tones, and heavy proto-grind buzzing wih
loads of sustain. It is very responsive to different picking styles and the level on
your guitar. I have yet to hear any unusual or extraneous noise from this all-analog
pedal. In fact, I find it to be incredibly quiet, even with all settings maxed.
On top of all of it's tonal possibilites, the Wattson SuperFuzz is built into a
beautifully simple steel chasis modeled after the basic design of the original Super
Fuzz. It's extremely dependable, built like a brick! The only thing that might cause
problems over time is the plastic mode selector switch.
The Wattson SuperFuzz comes with a one year warranty. There was a mistake in the
original version of the circuit which causes an occasional chirping noise at certain
settings. The makers offered to let me send it back in for repairs, completely free
of any shipping charges. They have always responded to e-mails quickly and are
extremely courteous and personable.
The one, singular gripe I have with the SuperFuzz (and, honestly, any effects of
this nature) is that the output is typically lower than most high gain distortions,
so it may be necessary to compensate for this with a boosting effect if you use it
in a chain with other distortions. Still, I find myself using those other
distortions a lot less now.
Jonathan Ingram
This is NOT a honeymoon review. I've had this pedal for a while now. SO much to be
had with this pedal. You can dial in some awesome low OD sounds with the volume down
on your guitar and the "expander" setting set to counterclockwise on tone 1. That same
setting can blow your head off if you raise your guitar volume. The octave becomes really
pronounced in tone 2 with the neck pickup. If that's not your bag, the internal trimpot
can be dialed to remove some of the octave, or make it even more pronounced! The tone
switch is a huge boon to the pedal. Tone 1 is great for rhythm, really dark, great for
power chords. Tone 2 is awesome for single note lines, solos, and octave fun. On top of
all this, it's solid as a rock. Seriously. Drive a car over it and see if it breaks.
Thanks for putting out a great product Wattson!
Miguel Andrade
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